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A dusty, dreamy Hawaii rife with sexual frustration, loneliness and adolescent heartbreak will be the setting for that nine stories of Hemmings's bold debut collection. Misery adores company in "Final Girl," in which just one mother discovers a pornographic magazine in their own 13-year-old son's room and turns on him despite herself, wishing he'd much more of "that character-developing sadness. Instead, he's a child who sings inside the car." In the title story, intrepid preteen Kora is anxious to fit into her clique of Lolitaesque teenage friends—island girls "doing bad things in pretty places"—and is frightened of losing her best friend, Wendy, when Wendy's delinquent brother, Perry, resurfaces. In "Begin with an Outline," a lady is haunted by her imprisoned father, a notorious drug dealer; in "Island Cowboys," embittered, indebted Pete covets his brother's easy prosperity and finds forbidden solace in his niece. A 16-year-old boy pines for his social-climbing nanny in "Secret Clutch," just to discover she has gotten up with his wealthy father; a teenage girl and her father's mistress create a disturbing bond in "Location Scouts." At times Hemmings steers her troubled protagonists in predictable directions, but overall these are fresh, acerbic tales, offering a distinctive perspective on everyday routine inside a vacation paradise. Agent, Witherspoon Associates. (June 20)
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Just as the individual land masses which make inside the Hawaiian Islands are worlds unto themselves, so, too, are the characters Hemmings depicts with this penetrating exploration of the nature of families along with the people who belong to them. Disappointment and isolation, frustration and regret inform each story's conflict, whether or not this can be a father unprepared to raise his 10-year-old daughter while her mother lies in a coma, such as "The Minor Wars," or perhaps a pack of teenage girls flirting with independence in "House of Thieves." Hemmings takes her characters' cues from your composition in the islands she knows so well, their volcanic cores smoldering just under the surface, either expected to lie dormant or prone to violent outbursts. Set contrary to the tropical backdrop of sun, sand, and surf, Hemmings' stories are the more surreal for perceptive juxtaposition of tumultuous emotions within this kind of seemingly benign paradise. With a dynamic and imaginative voice, Hemmings infuses her stories with keen insight, and lavishes her characters with profound empathy. Carol Haggas
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